Apoxyomenos and the Role of Athletics in Ancient Greek Culture :: Essays Papers

Apoxyomenos and the Role of Athletics in Ancient classic finishAccording to Marilyn Stokstad, the visual arts are among the most sophisticated forms of human communication, at once shaping and being shaped by their fond mount (xxxviii). As this quote implies, artistic pieces invariably are a reflection of the culture in which they were created. Thus, art is a potent means of deciphering the determine and flavour systems of ancient societies. Apoxyomenos (330 BCE), or The Scraper, created by the sculptor Lysippos, is an enduring testament to the importance ascribed to athletics by the citizens of ancient Greece. Artistically, Apoxyomenos deviates from the standard Classical representation of potent athletes. The volume of Classical sculptors portrayed athletes actively fastend in competition. However, this figure is gazing into the distance while removing oil and dirt from his body using a strigil (Stokstad, 165). This design was usually associated with athletes in ancient G reece and, thereby, communicated to the viewer that this was a piece pertaining to athletics. Athletics were an expression of the philosophical, spiritual and civic values that were at the very heart of classical culture. In the world of the ancient Greeks, well-educated individuals were expected to be balanced mentally, spiritually, and physically (http//www.mediaconcero.com/ exceptional/capital of Washington/ideal_o.php, September 27, 2004). It was felt that athletics aided in the mental institution of such an individual. Athletic events during this period were not simply displays of physical prowess, but an integration of the facets of Greek culture. Education and intellectual discourse were accessories to athletic events. During competitions, spectators would engage in lectures and philosophic conversations concerning current events and other scholarly subjects. In fact, the Greek word for gymnasium was the same as the Greek word for school (http//www.mediaconcerto.com/ Olymp ic/olympia/ideal_o.php, September 27, 2004). Athletic events became a center of learning and exchange of ideas in Greek civilization. Athletic events at this time were besides closely cerebrate to the religious beliefs and practices of the Greek citizens. Each competition was devoted to a specific pagan god. For example, the patron of the Olympics was Zeus. The Greeks believed that the physical strength and ability of athletes was a direct authorise from the gods (http//www.meiaconcerto.com/olympic/olympia/ideal_o.php, September 27, 2004). Therefore, each athlete competed not only in honor of his city-state, but also in honor of the gods. Civic implications were also spare in ancient Greek athletics. The ancient world was one of constant conflict and political turmoil, and it was necessary for each city-state to possess a sound host in order to preserve their autonomy.Apoxyomenos and the Role of Athletics in Ancient Greek Culture Essays PapersApoxyomenos and the Role of Ath letics in Ancient Greek CultureAccording to Marilyn Stokstad, the visual arts are among the most sophisticated forms of human communication, at once shaping and being shaped by their social context (xxxviii). As this quote implies, artistic pieces invariably are a reflection of the culture in which they were created. Thus, art is a potent means of deciphering the values and belief systems of ancient societies. Apoxyomenos (330 BCE), or The Scraper, created by the sculptor Lysippos, is an enduring testament to the importance ascribed to athletics by the citizens of ancient Greece. Artistically, Apoxyomenos deviates from the standard Classical representation of male athletes. The majority of Classical sculptors portrayed athletes actively engaged in competition. However, this figure is gazing into the distance while removing oil and dirt from his body using a strigil (Stokstad, 165). This practice was commonly associated with athletes in ancient Greece and, thereby, communicated to th e viewer that this was a piece pertaining to athletics. Athletics were an expression of the philosophical, religious and civic values that were at the very heart of Greek culture. In the world of the ancient Greeks, well-educated individuals were expected to be balanced mentally, spiritually, and physically (http//www.mediaconcero.com/olympic/olympia/ideal_o.php, September 27, 2004). It was felt that athletics aided in the creation of such an individual. Athletic events during this period were not simply displays of physical prowess, but an integration of the facets of Greek culture. Education and intellectual discourse were accessories to athletic events. During competitions, spectators would engage in lectures and philosophic conversations concerning current events and other scholarly subjects. In fact, the Greek word for gymnasium was the same as the Greek word for school (http//www.mediaconcerto.com/olympic/olympia/ideal_o.php, September 27, 2004). Athletic events became a cente r of learning and exchange of ideas in Greek civilization. Athletic events at this time were also closely related to the religious beliefs and practices of the Greek citizens. Each competition was devoted to a specific pagan god. For example, the patron of the Olympics was Zeus. The Greeks believed that the physical strength and ability of athletes was a direct gift from the gods (http//www.meiaconcerto.com/olympic/olympia/ideal_o.php, September 27, 2004). Therefore, each athlete competed not only in honor of his city-state, but also in honor of the gods. Civic implications were also apparent in ancient Greek athletics. The ancient world was one of constant conflict and political turmoil, and it was necessary for each city-state to possess a strong military in order to preserve their autonomy.